Published books

Limited edition #10 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

Limited edition #8 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

Limited edition #9 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

Limited edition #4 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

Limited edition #3 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

Limited version #1 — with a golden ticket inside!
This is the insider's story of decentralized finance and Web3.…

“A woman must have money and a room of her own if she is to write fiction.” In this book-length essay, which is considered a key work of feminist literary criticism, the author of “To the Lighthouse” and “Mrs. Dalloway” explore women both as writers and characters in fiction. It’s based on two lectures delivered by Virginia Woolf at Cambridge in the late 1920s.

One of the most famous poems of the 19th century—deconstructed by the author himself. In the essay that prefaces “The Raven,” Edgar Allan Poe explains his methodical and logical approach to crafting a poetic piece, carefully choosing every element to achieve maximum emotional impact.

“The story and the novel, the idea and the form, are the needle and thread, and I never heard of a guild of tailors who recommended the use of the thread without the needle or the needle without the thread.” This is an ode to creative freedom by the author of “The Portrait of a Lady” and “The Turn of the Screw.” James argues against “laws” in fiction-writing, whether they are literary or moral. The book also includes essays about George Eliot, Robert Louis Stevenson, Guy de Maupassant, Ivan Turgenev, and other prominent writers.

“Whenever you feel an impulse to perpetrate a piece of exceptionally fine writing, obey it—whole-heartedly—and delete it before sending your manuscript to press. Murder your darlings.” In this collection of lectures delivered in the University of Cambridge in 1913-1914, the prominent British writer and Cambridge professor Arthur Quiller-Couch reflects on the history of literature and sets the principles of the literary craft.